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Odsherred Painters ((デンマーク語:Odsherredsmalerne)) is a term applied to Danish artists from various periods with connections to Odsherred in the northwest of Zealand, Denmark. Some were born there while others settled in the area or painted there. While the term includes painters from the 19th century such as Johan Thomas Lundbye, Vilhelm Kyhn and Vilhelm Melbye, it is applied more specifically to the painters who created landscapes from 1930 to 1970 and who formed an artists' colony. They include Karl Bovin, Kaj Ejstrup, Viggo Rørup, Ellen Krause, Lauritz Hartz, Povl Christensen, Victor Brockdorff and Sigurd Swane. The group of Odsherred Painters which emerged in the 1930s was the most recent of Denmark's artists' colonies, the others being the Skagen Painters, the Funen Painters and the Bornholm school of painters.〔 ==Artists' colony== The artists' colony grew up in the 1930s as a number of painters settled in the dramatic landscape in south-western Odsherred in the hilly countryside known as Vejrhøjbuen between Sejerø Bay and the now reclaimed Lammefjord. With Karl Bovin and Kaj Ejstrup as central figures, the artists rediscovered Naturalism and Figurativism at a time when Modernism was prevalent. Most of them knew each other from the Royal Danish Academy of Fine Arts. They settled in the same small area developing friendships based on common artistic ambitions. Initially they rented accommodation in old farms and cottages, often just for the summer, but later several of them purchased their own homes in the area. The group were successful in reviving Naturalism in the 1930s, partly by arranging the Corner series of exhibitions in Copenhagen. The colony which started in the 1930s was led by Karl Bovin (1907-85) and Kaj Ejstrup (1902-56). Members included Lauritz Hartz (1903-87), Viggo Rørup (1903-71) and his wife Ellen Krause (1905-1990), Victor Brockdorff (19121-92), Ernst Syberg (1906-81), Povl Christensen (1909-77), Alfred Simonsen (1906-35), Ole Kielberg (1911-85), Søren Hjorth Nielsen (1901-83) and Birthe Bovin (1906-80). Bovin, Hartz and Rørup spent their entire lives in Odsherred while the others returned for shorter or longer periods each summer. They were attracted by the dramatic landscape with its steep slopes and burial mounds as well as by the rather frugal look of the countryside. It coincided with their wish as naturalists to have a constant source of inspiration for their work.〔 The open skies, extensive fields, rolling hills and coastal flats of Odsherred became the favourite subjects of their landscapes. Initially they were known as ''Mørkemalerne'' (The Dark Painters) as a result of their sombre palette but later they used brighter, more Impressionistic tones. In Karl Bovin's words: "It's all a matter of mapping out an area, and we can also include the seasonal climate we have here in Denmark; that, the climate, has become a constant motif as it is so changeable—and so it has actually become a kind of Danish Naturalistic painting." 抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)』 ■ウィキペディアで「Odsherred Painters」の詳細全文を読む スポンサード リンク
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